Why I Teach

Let’s get something clear from the start: I love teaching. I love teaching history. I love teaching students at a school that prioritizes teaching. I love walking in to a classroom with historical documents and scholarly readings and images and strategies for how I’m going to talk with students about the past (and often the present and the future).  I love that I walk out from that same classroom an hour or so later simultaneously exhausted and exhilarated, having learned as much as the students have in our give and take of learning about the past.  I love seeing what students can do if you push them out of their comfort zone while also providing them with support and opportunities to approach, both creatively and rigorously, the study of history.  I love my job.

My approach to teaching is grounded in the importance of historical inquiry, the multidisciplinary nature of the liberal arts, and five key related beliefs.  First, I believe that students are at the center of teaching.  I work to involve students in classes as participants, leaders, and fellow learners.  In exchange, I expect students to take responsibility for their education in and out of my classes.

Second, I believe that technology can play a key role in enhancing traditional pedagogical practices.  I integrate WordPress, Omeka, Facebook, Twitter, wikis, and web-based discussions, online research, multimedia content, digital history projects, electronic editing of papers, and image and video creation into my classes.  All of these aspects of technology are used to vary and improve communication, offer alternative forms of discussion or presentation, or broaden the academic experience in and out of the classroom, while holding on to scholarly and intellectual rigor.

Third, I believe in the importance of teaching students to be critical consumers of knowledge.  I have a responsibility to teach students to approach all primary and secondary content with a skeptical eye, not just historical sources or scholarly books and articles, though grappling with these remain essential to the discipline.  For example, in my courses on US History in Film, American Technology and Culture, Civil War and Memory, History of the Information Age, and Digital History, I work with students to analyze critically what have become the key popular sources of information about the past, namely movies and the Internet.  In all my classes I work with students to explore what it means to be skeptical about all sources of knowledge.

Fourth, I believe in the need to teach students to be rigorous yet creative and adaptable producers of knowledge.  This skill links closely with the previous notion.  Understanding how knowledge is produced makes one a better consumer, but being skeptical about one’s sources also makes one a better writer and speaker.  In my classes students are encouraged to express themselves in various ways: formal and informal, written and oral, online and in person. I teach a number of different skill sets related to exchanging and expressing information in my classes, from basic writing to oral presentations to working with groups to digital project design to the creation of infographics, images & documentaries, yet all stem from one’s ability to convey content, concepts and ideas in the best possible way.

Fifth, I believe in students being “uncomfortable, but not paralyzed” in their learning. A student walked into my office several years ago and said to me, “Dr. McClurken, I’m really struggling with all this online stuff,” referring to the projects I had assigned to the students in my American Technology and Culture course. She explained that digital projects were unfamiliar to her and that she was uncomfortable with her ability to do the assignment. She was surprised when my response to her discomfort was, “Good.” I went on to explain that I wanted her and her classmates to push the boundaries of what they understood about the conceptualization and presentation of historical information beyond papers and tests. Though she struggled a bit learning the tools we were using that semester, she later sent an email thanking me for introducing her to new methods of approaching history with the subject heading, “From Antipathy to Appreciation.” Note the last part of my initial phrase—“not paralyzed”—because it’s equally important.  I want students to move out of their comfort zones because that is where deep learning occurs, but I don’t want them to be so uncomfortable they can’t get anything done.  To keep them from paralysis we discuss potential resources to which they can turn (including their fellow students), we talk extensively about what constitutes successful work (even to the point in some classes of collectively constructing the rubrics with which I assess their papers and projects), and I tell them that they can always come to me if truly stumped.  The results of a semester’s worth of student discomfort is worth it to me, and more importantly to them, as I see their pride in the work that they’ve created and shared not only with me or with their class, but with the wider world.

This post is part of a Connected Courses assignment, and is a revised version of a piece I’ve written in various forms for various submissions.